Choreography

After ending her active career as an Austrian ice figure skater, she first became Dance Supervisor at the Vereinigte Bühnen Wien. Since 2006 she has been working as a choreographer in Germany and has worked for productions such as „High Society“, „Czardasfürstin“ in Vienna, „Camelot“ in Bad Hersfeld, „Dracula“, „Hair“, „Miami Nights“, „Footloose“, „Aida“, „Evita“, „Jesus Christ Superstar“,
„3 Musketeers“, „West Side Story“ in Tecklenburg and Hagen.

She has directed the pop oratorio „The 10 Commandments“ in Dortmund’s Westfalenhalle and „Mozart in Concert“ in Vienna’s Raimundtheater. She choreographed the world premieres of „Elisabeth v. Thüringen“ in Eisenach and „Friedrich – Mythos und Tragödie“ in Potsdam. In Bremen, she created the choreography for the German premiere of „Marie Antoinette“ in 2009, which she adapted for Tecklenburg in 2012.

In 2013 she took over the choreography for Prokofieff’s „The Gambler“ at the Frankfurt Opera. The rock opera „The Wolf with the Red Roses“ in Mannheim was followed by „The Count of Monte Cristo“ in Tecklenburg. 

Afterwards she went to Tokyo, where she directed and choreographed „Vienna Musical Show II“. She then co-directed and choreographed the world premiere of „Kolping’s Dream“ in Fulda.

In 2014, she worked on the choreographies for „Friedrich – Mythos und Tragödie“ in Fulda and for „Heldenzeit“ at the Capitol in Mannheim. This was followed by the world premiere of „Amazing Grace“ in Kassel, where she was responsible for direction, choreography and costume design.